{"id":2233,"date":"2025-11-27T20:10:05","date_gmt":"2025-11-27T20:10:05","guid":{"rendered":"https:\/\/flexagaleria.com\/?post_type=exposicoes&#038;p=2233"},"modified":"2026-03-17T17:31:25","modified_gmt":"2026-03-17T17:31:25","slug":"la-e-ca-deslocamentos-construtivos","status":"publish","type":"exposicoes","link":"https:\/\/flexagaleria.com\/en\/exposicoes\/la-e-ca-deslocamentos-construtivos\/","title":{"rendered":"Here and There: Constructive Displacements"},"content":{"rendered":"<p>A exposi\u00e7\u00e3o coletiva que encerra o programa de 2025 da <strong>Flexa<\/strong>, sob dire\u00e7\u00e3o art\u00edstica de <strong>Luisa Duarte<\/strong>, prop\u00f5e um di\u00e1logo entre diferentes gera\u00e7\u00f5es da arte brasileira, reunindo obras de <strong>H\u00e9lio Oiticica <\/strong>(1937\u20131980), <strong>Lygia Pape<\/strong> (1927\u20132004), <strong>Jos\u00e9 Damasceno<\/strong> (1968) e <strong>Emmanuel Nassar<\/strong> (1949). Texto cr\u00edtico de <strong>Moacir dos Anjos<\/strong> acompanha a mostra, que tem como centralidade a forma como esses artistas transformam a heran\u00e7a construtiva e concreta em linguagem viva, atravessada pela cor, pela inventividade, pela presen\u00e7a do corpo e pela dimens\u00e3o sens\u00edvel.<\/p>\n\n\n\n<p class=\"translation-block\">The exhibition constructs an intergenerational landscape that reveals Brazilian art\u2019s capacity to relate to the past through a lens of invention and deviation. As the Cuban critic Gerardo Mosquera wrote: \u201c(...) <em>it is significant that the two clich\u00e9s that tend to be imposed on Brazilian art appear antithetical: constructivism and sensuality, grid and body. Yet they coexist in interlocution, dialoguing and mutually transforming one another.<\/em>\u201d This coexistence\u2014between what is structured and what vibrates, between what belongs to the realm of calculation and what belongs to the realm of affect\u2014runs through the dialogue established among the four artists presented here.<\/p>\n\n\n\n<p>Lygia Pape proposes an investigation of form that surpasses constructive rationality. In her work, geometric rigor is traversed by intervals and sensibilities. Her structures, especially those titled \u201cbooks,\u201d evoke time and the body, encouraging a perceptual openness. Within them, color and rhythm operate as elements of a poetics that dissolves the boundaries between calculation and intuition.<\/p>\n\n\n\n<p class=\"translation-block\">In H\u00e9lio Oiticica, the passage between order and deviation also becomes evident. Beginning with serial structures such as the <em>Metaesquemas<\/em>, the artist progressively shifts painting into space, freeing it from the plane and from constructive rigidity, as seen in the <em>Relevos espaciais<\/em>. Oiticica\u2019s gesture does not negate the concrete; it pierces through it. It is in movement that the work finds vitality. Here, form becomes a field of experience\u2014a way of thinking about color as living matter.<\/p>\n\n\n\n<p>In the works of Damasceno and Nassar, this legacy is taken up through other pathways. Both artists displace objects and signs from ordinary life, establishing new perceptual logics that oscillate between the familiar and the strange, between rigor and improvisation. In this way, the works brought together for this exhibition constantly mobilize a state of surprise and paradox, in which color, line, and the everyday become agents of a sensitive gaze. Geometry\u2014the guiding thread of the exhibition\u2014is understood as a dynamic field, permeable to experience and gesture.&nbsp;<\/p>\n\n\n\n<p class=\"translation-block\">The exhibition thus reaffirms the vitality of Brazilian art in its singular way of metabolizing influences, expanding them toward life. In Mosquera\u2019s words: \u201c<em>Nonetheless, this unique case of concrete art\u2019s influence on one of today\u2019s richest art scenes has manifested itself more in the way Brazilians contested it\u2014disorganizing it with great inventiveness\u2014than in the way they followed it.<\/em>\u201d<\/p>\n\n\n\n<p><\/p>","protected":false},"featured_media":2234,"template":"","meta":{"_acf_changed":true},"class_list":["post-2233","exposicoes","type-exposicoes","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/flexagaleria.com\/en\/wp-json\/wp\/v2\/exposicoes\/2233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/flexagaleria.com\/en\/wp-json\/wp\/v2\/exposicoes"}],"about":[{"href":"https:\/\/flexagaleria.com\/en\/wp-json\/wp\/v2\/types\/exposicoes"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/flexagaleria.com\/en\/wp-json\/wp\/v2\/media\/2234"}],"wp:attachment":[{"href":"https:\/\/flexagaleria.com\/en\/wp-json\/wp\/v2\/media?parent=2233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}