{"id":2233,"date":"2025-11-27T20:10:05","date_gmt":"2025-11-27T20:10:05","guid":{"rendered":"https:\/\/flexagaleria.com\/?post_type=exposicoes&#038;p=2233"},"modified":"2026-06-25T21:59:43","modified_gmt":"2026-06-25T21:59:43","slug":"la-e-ca-deslocamentos-construtivos","status":"publish","type":"exposicoes","link":"https:\/\/flexagaleria.com\/en\/exposicoes\/la-e-ca-deslocamentos-construtivos\/","title":{"rendered":"Here and There: Constructive Displacements"},"content":{"rendered":"<p class=\"wp-block-paragraph translation-block\">The group exhibition that closes <strong>FLEXA<\/strong>\u2019s 2025 program, under the artistic direction of <strong>Luisa Duarte<\/strong>, proposes a dialogue between different generations of Brazilian art, bringing together works by <strong>H\u00e9lio Oiticica<\/strong> (1937\u20131980), <strong>Lygia Pape<\/strong> (1927\u20132004), <strong>Jos\u00e9 Damasceno<\/strong> (1968) and <strong>Emmanuel Nassar<\/strong> (1949). A critical text by <strong>Moacir dos Anjos<\/strong> accompanies the show, whose central focus is the way these artists transform the constructive and concrete legacy into a living language, infused with color, inventiveness, the presence of the body, and sensory dimension.<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">A exposi\u00e7\u00e3o constr\u00f3i uma paisagem intergeracional na qual se revela a capacidade da arte brasileira de se relacionar com o passado em uma chave de inven\u00e7\u00e3o e de desvio. Como escreveu o cr\u00edtico cubano Gerardo Mosquera: \u201c (\u2026) <em>\u00e9 significativo que os dois clich\u00eas que tendem a ser impingidos \u00e0 arte brasileira pare\u00e7am antit\u00e9ticos: construtivismo e sensualidade, grid e corpo. No entanto, eles coexistem em interlocu\u00e7\u00e3o, dialogando e transformando-se mutuamente.<\/em>\u201d Essa coexist\u00eancia, entre o que se estrutura e o que vibra, entre o que \u00e9 da ordem do c\u00e1lculo e o que \u00e9 da ordem do afeto, \u00e9 algo que atravessa o di\u00e1logo entre os quatro artistas aqui constru\u00eddo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lygia Pape proposes an investigation of form that surpasses constructive rationality. In her work, geometric rigor is traversed by intervals and sensibilities. Her structures, especially those titled \u201cbooks,\u201d evoke time and the body, encouraging a perceptual openness. Within them, color and rhythm operate as elements of a poetics that dissolves the boundaries between calculation and intuition.<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">In H\u00e9lio Oiticica, the passage between order and deviation also becomes evident. Beginning with serial structures such as the <em>Metaesquemas<\/em>, the artist progressively shifts painting into space, freeing it from the plane and from constructive rigidity, as seen in the <em>Relevos espaciais<\/em>. Oiticica\u2019s gesture does not negate the concrete; it pierces through it. It is in movement that the work finds vitality. Here, form becomes a field of experience\u2014a way of thinking about color as living matter.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In the works of Damasceno and Nassar, this legacy is taken up through other pathways. Both artists displace objects and signs from ordinary life, establishing new perceptual logics that oscillate between the familiar and the strange, between rigor and improvisation. In this way, the works brought together for this exhibition constantly mobilize a state of surprise and paradox, in which color, line, and the everyday become agents of a sensitive gaze. Geometry\u2014the guiding thread of the exhibition\u2014is understood as a dynamic field, permeable to experience and gesture.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">The exhibition thus reaffirms the vitality of Brazilian art in its singular way of metabolizing influences, expanding them toward life. In Mosquera\u2019s words: \u201c<em>Nonetheless, this unique case of concrete art\u2019s influence on one of today\u2019s richest art scenes has manifested itself more in the way Brazilians contested it\u2014disorganizing it with great inventiveness\u2014than in the way they followed it.<\/em>\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"featured_media":2234,"template":"","meta":{"_acf_changed":true},"class_list":["post-2233","exposicoes","type-exposicoes","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/flexagaleria.com\/en\/wp-json\/wp\/v2\/exposicoes\/2233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/flexagaleria.com\/en\/wp-json\/wp\/v2\/exposicoes"}],"about":[{"href":"https:\/\/flexagaleria.com\/en\/wp-json\/wp\/v2\/types\/exposicoes"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/flexagaleria.com\/en\/wp-json\/wp\/v2\/media\/2234"}],"wp:attachment":[{"href":"https:\/\/flexagaleria.com\/en\/wp-json\/wp\/v2\/media?parent=2233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}